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Tuesday, August 10th, 2010Product: Don’t Tell Mom the Babysitter’s Dead
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Christina Applegate is surprisingly superb in this cult classic playing Sue Ellen. After the babysitter dies from weak age, she finds herself responsible for her four younger brothers and sisters for the entire summer. As great as she hates it, Sue Ellen has to net a job to benefit them all. When she applies for a receptionist job with a clothing manufacturer, her fabricated resume lands her a job with the chief executive. This is a lighthearted movie with many humorous scenes.
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Thinks are looking up for the Crandell children. Mom (Concetta Tomei, “Deep Impact” and “Picket Fences”) is going to Australia for two months. Things seem like they are going to be huge until a babysitter shows up. The babysitter seems like a sweet diminutive dilapidated lady until mom leaves. The babysitter then turns into a militant, giving the children orders and rules and telling everyone that she will tolerate no infractions.
The children can hardly own their awful luck. Now they will be stuck with the babysitter from hell. After meeting to discuss their state, the children elect Sue Ellen (also called Swell, played by Christina Applegate, “Married with Children”) to go voice to the primitive lady. Swell knocks on the musty lady’s bedroom door and enters when she fails to reply. Swell discovers that one scrape was solved, but another created, when she learns that the babysitter is uninteresting.
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After another meeting of the children, they resolve to buy the dilapidated lady to a mortuary and plunge her off with a sign. Unfortunately, the children neglect to recall the money their mother left from the ragged lady’s clothes, as they learn after they return home. Swell and brother Kenny (Keith Coogan, who starred in another classic comedy, “Adventures in Babysitting”) determine that one of them has to pick up a job. A flip of the pizza box and Swell starts looking for a job while brother Kenny hangs around the house and smokes pot.
Swell’s first job is at a hotdog state, where she gets the joy of cleaning out the grease pots. Swell decides there has to be a better job she can salvage, so after a slight creative resume writing, she lands a high-paying job as an executive administrative assistant for Rose Lindsay (Joanna Cassidy, “Blade Runner” and “Who Framed Roger Rabbit”) . In spite of obstacles placed in her contrivance by a receptionist and her toady, Bruce, played by a David Duchovny before his “X-Files” days, Swell manages to excel in her job, accidentally learning to delegate and even fabricate.
Of course, things are not detached sailing for working girl Swell. There is the office letch, who keeps trying to become intimate with Swell, not sparkling she is only 17 years archaic. Swell is also trying to have a small romance of her bear, with the brother of the receptionist who is trying to attend stab Swell at the office. Brother Kenny is more anxious to hang out with his friends than acquire care of his siblings and the house. To top it all off, mom keeps calling, wondering how things are going and probably wondering why she is unable to assert to the babysitter.
I would limit viewing to children at least 14 years weak and above because of the behavior of the children. You may wish to limit viewing to an even older age for some children.
This movie is not only good; it is a humorous and toothsome movie for adults. This movie is probably the best thing Christina Applegate has done to date outside of her continuing role on “Married with Children.” A few of the gags tumble flat, but the bulk of them work, and Applegate does an friendly job of making you feel sorry for her as her dream summer becomes a nightmare, all the while laughing at the things happening around her. As a light comedy this movie works, and is one that I will notice again.
Enjoy!

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Saturday, July 31st, 2010Product: Blood In, Blood Out
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We live in an entertainment society where the face of a minority tends to describe the face of a drug dealer or a gang member. Although that is a partial truth to a dark reality that many in our families face, this movie finally serves as a sterling representation to people from other cultures and from other communities of life in the streets of East L.A. as a Chicano.
Paco Aguilar (Benjamin Bratt) shows the turn-arounds that many in our community have made for many years now, being able to change from a life of gangs and crime to becoming a figure of authority and respect. Cruz Candelaria (Jesse Borrego) shows how the gifts that are within our fellow brothers and sisters can be tarnished by the devils that are within the drugs that reside in our streets. And last but not least, Miklo Velka (Damian Chapa) shoes the struggles that many in people face from being of mestizo blood, which is legal to members of mixed bustle from any background or ethnicity. His fight to belong leads him towards the world that exist in the confines of San Quentin.
Very few movies have given light to the factual reality that exists in our beautful culture, and Blood In Blood Out is at the top of that list. I am somebody who has a tiny of Paco, Cruz, and Miklo within me. I don’t care who you are, after watching this movie, you will know that you have a microscopic bit of all three of them in you too. This is a tremendous movie whether you are Chicano/Latino, Anglo, Asian, African-American, or any other run. This belongs in all movie collections of any culturally-concious movie goer, in any format.
This movie has got to be one of the greatest chicano movies ever created. For those who enjoyed American Me, This movie blows that out of the water. The actors in this movie are really heartfelt. Throughout the whole movie your emotions are on a rollercoaster. The movie has some very devasting parts that atomize your heart, and some parts that support you on the edge of your seat. The fable of three chicano teens growing up, and how a couple decisions changed the paths of their lives. The only poor acting had to be Miklo, but the movie itself makes up for any flaws. This has to be added to any hispanics movie collection. If your not hispanic don’t be miserable, my best friend is white and he can quote every line in the movie. Win this movie today. Before I go, does anyone know what’s the deal with Benjamin Bratt on the serve camouflage? He’s holding a girl that is never shown in the movie. Bye
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Shop For Brothers and Sisters: The Complete Third Season From The Internet.
Thursday, July 29th, 2010Product: Brothers and Sisters: The Complete Third Season
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The accolades might always go to Sally Field and Rachel Griffiths (both terrific) .
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But in the third season of the series, Calista Flockhart goes deep and gives the most nuanced performance of the year. She deserved an Emmy for this season (and they snubbed her) . The third season had it’s part of mistakes, but Flockhart was a joy to see. It’s so sterling to have her relieve on television.
Brothers and Sisters feels like an amalgamation of numerous television shows all blended up and mixed into one tremendous hodgepodge narrative. With some parts Army Wives, West Skim, Arrested Development and many others, Brothers and Sisters captures a lot of their elements but rarely ever delivers the fragment that made them worthwhile. The present may fail in the ingenuity of its legend and how it tells it, but in terms of casts few shows on apt now can match its star power. It may not be the best thing you’ve ever watched, but it has crafted a deeply tangled mess for itself that the writers are clearly enjoying detangling and retangling (which isn’t even a word) all over again.
It’s not that the life of any one person in the Walker family is all that complicated, but honest that there are so many people alive to that even if they all led lives of simplicity, the sheer volume would be chase to beget some conflict either contrivance. So when you toss in Justin, a drug-addicted customary (Dave Annable), and his fresh romantic interest (Emily VanCamp), who was until last season presumed to be the lovechild of his father by another woman (Patricia Wettig), things are flow to catch exciting. Or maybe you’d seize the addition of Kitty (Calista Flockheart) and her ex-presidential nominee husband (Take Lowe) fighting hard for the Republican conservative agenda even after hiring Kitty’s [...] brother (Matthew Rhys) whose dreams of partnership at his firm fell through, perhaps due to his relationship with his life partner (Luke Macfarlane)? You don’t deem the show’s location is burdened enough? Then let’s add some conflict in the family business as Sarah (Rachel Griffiths) resigns after firing her brother (Balthazar Getty) from his set as the company’s lead counsel. All of this happens as the matriarch Nora (Sally Field) struggles to bag her calling after leaving the family business with the encouragement of the family’s last remaining account Saul (Ron Rifkin), whose coming out of the closet hasn’t affected him professionally but rather personally in his family. The tremendous seldom-happy family leer a few original surprises in the third season, but none so principal as the identity of a recent potential member of the Walker family.
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The cast is simply a powerhouse. You have stars here who have headlined past programs and serene others who lead healthy careers on the silver conceal. Seeing them congregated in one location leads you to occupy that they all saw something in Brothers and Sisters upon first reading the script – and they were apt. For all its twists and turns there is a stark feeling of family pervading it all. Their conflicts and celebrations feel appropriately weighted with everything that’s near in seasons before and yet petty disputes can smooth occur unfettered. It isn’t bloated, but there is aloof a sense that the writers are grasping at too grand and consequently some of the show’s fable is being underdeveloped. With that said, for having so noteworthy going on at once, never does it feel like any one character is taking the spotlight or that any are being left out; everyone’s presence is felt, it’s unbiased that none are really allowed to get the momentum needed to become dramatic bulwarks to pad the series’ vitality.
DVD Extra Features:
You’ll collect audio commentaries on a few episodes as well as deleted scenes, but neither is all that illuminating. As if to research the season’s recent direction for the Ojai business, the cast takes a trail to a family-run vineyard for the ample tour. They laugh, they drink, they design merry – and you can live it vicariously through your TV residence. There’s an introspective part by the matrons of Brothers and Sisters (Field and Wettig) wherein they discuss their roles and how their characters have developed over the seasonal arcs. Finally, there’s a bit of dual-action blooper reel business going on: there’s the official gag reel for outtakes and then a second shrimp featurette about the cast and the pranks they pull on the space.
The expose has only gotten better by twisting itself into loops, but in doing so it sacrificed depth for snarl. For some the trade-off was a gracious one, for others not so grand. Where do you drop?
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